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Your Purest Fantasy

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poetry, romance, young adult
2nd
Draft

Published on:

May 11, 4:01am

Word Count:

96

Last Edited:

May 11, 5:06am

Work Description

a sonnet about finding love.

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Page: 1
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Your fantasies and darkest dreams,

Take me to a world unknown,

Attack the fear inside of me,

Take me where I refuse to go.

 

These fantasies full of desire,

I can’t force my lonesome heart to leave,

Burning candles start the fire,

So tense I can’t bring myself to breathe.

 

I can see you in the shadows,

Until your beauty is revealed,

Shut the blinds upon the window,

Let’s figure out if this is real.

 

Bring your utmost passion and desire to me,

Fall into a world of love, live out your fantasy.

 

 

 

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Discussion

Opening Comments

 Eli,

I like the overall theme and "message" of the poem, for lack of a better term.  It feels very real - the interplay of desire versus fear of the unknown provides strong immediacy for the poem itself.  This is definitely potent work - the whole idea of a someone in love wanting what they fear is great material for poetry.

Imagery

The poem provides some very subtle and effective imagines to establish the scene, and I think it could have used a few more images to provide a deeper metaphor of the romance involved.  Much of what I "felt" from reading this was abstract.  There is the exhortation to try something new, to live out the fantasy, but I don't have a feeling for what the fantasy might be.  Love itself is a fantasy, but the expression of love takes on many concrete forms.  Is this the love of coffee shops?  Is this the love that burns a hole through the heart?  Or is it something more fantastic still?  I'd really like a few more of the concrete images.  The image of "shut the blinds" and "see if this is real" is great - really drives home the idea.

Rhyme and Meter

 I liked the consistent rhyme scheme here (a dying art, sometimes - always good to see rhyme used well).  But when I read the poem to myself, I stumbled a bit on the meter.  I noticed that the lines varied between eight and eleven syllables, and I couldn't find a pattern to the number of syllables per line.  I think that the lines would hold more verbal power if the rhythms held from line-to-line.  I recommend looking at the pattern of iambs employed - the pattern of stressed and unstressed syllables can make contradictory lines sound the same as they come off the tongue, and such repetition of rhythm helps drill a poem into the subconscious.

Grammar and Spelling

 Excellent grammar and spelling here - I can tell you pay close attention to detail.

Closing Comments

 Keep up the good work.  I look forward to reading more.

Ryan

This critique applies to the 1st draft of this work.
Opening Comments

I really like this poem. I've read it several times over the past few days.

Moods

I don't know if it's your intention, but I sense I black cloud over the piece. It's forlorn, almost. But thinking back, I guess you did mention something about a lost love or losing a love. The mood of this piece is definitely one of a loss.

Rhyme and Meter

I had a little trouble with the meter. It didn't read well when read out loud. Playing with the number of syllables per line will correct the flow, I should think.

Diction

I liked the grammar and spelling was fine. My favorite line in the poem is:

So tense I can’t bring myself to breathe.

That was great!

The only thing I struggled with was this line:

Shut the blinds upon the window

For me, this line doesn't fit somehow. Maybe it's the word 'upon' that causes me to snag. I don't know - but it's just my opinion.

Closing Comments

I really enjoy reading your work. You are talented! Don't stop writing!

 I truly like this poem. I love the flow and feel and how you put these words together and make something good. You understand that you need to beable to feel the words see what is happening and know how it is to feel that way.

Thank you for a good read.

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