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Island Conspiracy, Chapter 0: Part 1: Gifts and Conflicts

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novel, fantasy, young adult
7th
Draft

Published on:

April 8, 12:46am

Word Count:

5876

Last Edited:

May 18, 2:33am

Work Description

Three kids with "gifts" achieve a victory over a Dark Queen by making new friends and trusting the old ones. A story about friendship, loyalty, light romance, war between magical nations. A young-adult fantasy.

Chapter Description

Intro to Suviana and Ariza. Suviana gets several surprises. Raiders attack. Arrio comes and Ariza is reunited with Kell...

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Chapter: 0
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Print WorkPrint “It’s only me, Ariza. I came, as you requested.” Arrio stepped into a sliver of moonlight. I rose and walked tentatively towards him, still gripping my sword tightly. I examined his face, pale in the shaft of stark light. After a moment my face broke into a relieved smile, I hugged him fiercely. Arrio held me tightly, then pulled away slightly and leaned in to kiss me. His sweet smell lingered briefly in my mind, and I forgot to warn him about Suviana. I pulled him close again, my lips brushing against his.

“Mmm… she doesn’t know about this,” I murmured drowsily.

“Who?” Arrio asked. He looked around, then spotted a sleeping figure behind me. He drew a sharp breath. “You didn’t tell her? But you said you have no secrets between you two and that we could act- like this- and I thought she already knew! What if she had woken up, and uhh…” he groaned.

I regretted saying anything at all, and turned away from him. “Take over my watch for a bit; wake me in a couple hours,” I ordered briskly, beginning to walk back to my bedroll. Arrio caught my hand, pulled me around, and swiftly kissed me good night. My regret softened, and I smiled again. Reaching my bedroll, I pulled the cover up to my neck and closed my eyes. 

A creeping mist oozed past the chasm, seeping through the rock. Screams echoed from the deep, drawing strength from the darkness. Wolves perched on the far side of the gap, baring their teeth and growling fiercely. Tall black prisms rose on either side of the space. Turning, she saw nothing but shadow, nothing but her own fear.  The wolves crouched low, bunching their muscle, preparing to jump, measuring the distance. They sprung up together, leaping widely across the endless pit. They landed ungracefully on her side, advancing on her slowly. Red eyes glowed from sunken faces, and the girl ran blindly, anywhere her feet would take her. Out of the murkiness, a shining face appeared, and said mockingly: “Nowhere to run, my child? There’s nowhere to go… nowhere but down, down into darkness…” 

  I sat up abruptly, cold sweat beading on my forehead. This had felt like no other dream before, being so real and alive. Who was the mocking woman? Where were the people in my dream; why were there wolves there? Who was the girl? I hadn’t seen her face clearly, but I had an ominous feeling that I knew the girl, whether already acquainted with her or not. Was it me? Suviana? One of the Mist village girls? The riddle nagged at my conscious mind, distracting any helpful thoughts. Worried as I was, however, I still managed to make mental notes about the setting of my dream, the black crystals, the wide chasm, the rock ledge. I memorized the face of the cold-hearted woman.    

            Stowing away these thoughts, I rose from my uncomfortable position. I went to check how Arrio’s watch was going, but soon saw that he had fallen asleep. Shaking my head, I set myself up for another watch, realizing with immense relief that it was almost dawn. I sat down heavily on my bedroll and leaned against the wide trunk of an old-growth tree. Every now and then, I saw a flicker of movement, just a glimmer f light possibly reflecting off something, or heard something in the forest, a rustle of leaves or faint snap of a twig. I began to worry that we were not alone, but I kept my station nevertheless. These disturbances continued, and when I actually heard a voice, I jumped from my seat and seized my sword from the ground. Holding it aloft, I crouched lower and readied to pounce. I bent my knees and stood light on the front of my feet, my eyes darting everywhere in anticipation. After a long period of silence and uncomfortable standing, I heard a thin, reedy whistle, and was nearly struck square in the face. More arrows, similar to the one I had gotten in the leg, were slicing through the air. I hollered to Suviana and Arrio, warning them of the raiders’ reattempt to kill us. I delivered my warning quickly as I could, and ducked into the bushes. Torches were lit, rapidly spreading light throughout the area. I said a spell to protect the horses and my friends, and crawled through the brush. I saw a leather-armored foot, and I snatched up my opportunity. The raider’s back was

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Discussion

 

It is good to see you attempting a long piece Fainne.

I can tell that you have a rich imagination and a well-spring of ideas that you have drawn upon to build this world and populate it with characters.

I have to be honest though, I am confused at to what’s going on.

The prologue holds up well enough. I can understand that somewhere, someone wants something from the woman named Kinana. He already has it though and presumably kills her.

That part I can follow. What come next raises the questions. It jumps to a scene in a village at night. There is a woman and she is outraged as to what’s happening, there is mention of a war, and of some children who are important and related ot the people talking.

Later on when we learn that Ariza has a “gift” I wonder, is this one of the children the others were talking about?

 

This opening chapter of a longer work does do a good job of raising a lot of questions. Who are these children, what gifts do they have, what significant do they hold. All these things are good. It gets the readers mind going. I feel though, that there isn’t enough information about the setting and the world situation. I can understand that the things they are talking about are important to them, but why are they important to me, the reader? Give us some more information about that and I think this chapter will be all the more enjoyable to read.

Keep up the good work!

This critique applies to the 2nd draft of this work.

 *** The visuals in this story are well written, I could see clearly what and where the characters were doing. I was confused however as to the time or era that the story takes place. You gave subtle hints as far as the characters themselves. I wanted to know more about them, their history for example, maybe even a brief description. I could surmise some of their character by your dialogue. This story has the potential to be a really great novel one that I would gladly add to my collection of books in my own personal library. Try reading the story to yourself, but slowly that way you can catch even mistakes I didn't. You are your own best critic... You are off to a wonderful start and I look forward to reading more...you have succeeded in adding another fan to your list! Write on...***

This critique applies to the 2nd draft of this work.

 Right--so first, I'd like to say...hooray! It's really good, Fainne. I was trying to read the first chapter and prologue last night, but didn't get too far before I had to go to sleep (long day). But hey-morning now, and I'm wide awake and loving this! However, I would like to say that of all that I've read (chapter 1 and the prologue), I liked the prologue better. I felt that you were better able to peak my interest in it. That being said, this chapter was pretty good, too. I was confused at the very begining, with all of them in the tent, but I guess that's what happens when you jump into reading something that's already moving at a fast pace. I liked the whole secret-chamber-under-the-tent thing. When you're describing their surroundings, though, I'd like to recommend to think 3-dimensional: floor, walls, ceilings. I saw lots of descriptive writing about the walls and the shelves--the antler hooks thing was a great example--but not much about the floor or the ceiling. Was it made of earth? If so, was the ground (or ceiling, even) damp? Cool? Could Suviana see the ends of plant roots in the ceilings? I think if you incorportate these sorts of descriptions--without over-doing it, of course--you'd have a really nice setting going on. I completely agree with what everyone else has said in their critiques of this, too, by the way. Another thing, too--when Ariza was saying words like "mir" and "kima",  I noticed that you didn't start new paragraphs or use speech tags or anything, like "Ariza said..." and so on. I found this a bit confusing, but after I passed "mir" and got to "kuma", it made more sense. I think, as a grammatical thing, you might want to change that up. Great, great job, though! If I'm not super tired again later today, I'll read chapter 2 and critique.

 

This critique applies to the 2nd draft of this work.
 I thought Chapter 2 was great, but now that I started at the beginning and seen the monologue of the story, I can tell it's going to be awesome once completed.  Keep up the good work and sorry this critique is short.
 
- EFSage
This critique applies to the 4th draft of this work.
Opening Comments

 hello fainne, i can see that you have a well-developed idea for this novel, but i have some suggestions.  I can also se that i am a fantasy writer like you, and would greatly appreciate if you could critique my works when they come out. 

Plot

 i once again must say that i like the overall idea. no potential problems that i can see, and am interested to read more! the plot so far is believable and real; the intricacy and detail is very obvious.

Pacing

 i like the pace and speed of the story, the action is quick to come. also, the time when the characters are not in conflict or are resting is still interesting. it doesnt bore the reader, but rather gives them more of an idea of exactly what is happening on the side. 

Description

 i love the descriptions!!!!    you do a great job of  balancing the information with detail and action, which is definitely a hard thing to achieve. well done on keeping back from infodumping but providing enough description so the reader has a clear idea of what everything looks like. great job!!!

Point Of View

 i like the third person angle, but i think that it might help a little to do a first person version. maybe you could switch the POV back and forth between the MC's? that might be an interesting deal.

Characters

 the characters were alive in my mind for the most part, but a little more elaboration on their feelings would not hurt.  i think it really helps to have Suviana in the dark about Ariza's little secret; it gives an impression of Ariza's independence.

Dialog

 the dialog never sounded forced, and it was always natural for the characters to say what they did. you have a gift for making characters speak m'dear!

Grammar and Spelling

 grammar and spelling were good, i could see no , mistakes except: when the character in the beginning are talking about this war, i think that a few of the "our side" s should be changed to 'we' and 'us'

read aloud to yourself and see if you can catch my meaning

Closing Comments

 keep up the great work!  i am very interested to see where this is going, and i especially enjoyed it because of my love for fantasy.

~Fyrenne

This critique applies to the 5th draft of this work.
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