Death of the West
poetry
Published on:
February 17, 7:42pmWord Count:
217Work Description
A poem I wrote a few years ago about the fact that you can't rely on anything.
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A harsh, black burlap sack is draped across
a shattered civilization - no light responds.
The mute cities have rasped their last breaths;
no electricity – raped is the world that birthed it.
New seedlings plant and thrive on asphalt,
post-apocalyptic wails erupt from starving citizens.
The final window is smashed, the ultimate door, splintered.
Thieves survive in the lifeless streets.
Gone are the shipping fleets, oil rigs sit
redundant as floating corpses – no souls.
Now industries yield no use, only silence.
Cars sit, forgotten, in the spots where they ran dry.
Western air is still and studded with death, crime and
corruption in the absence of power.
But life in the once impoverished lands is abundant:
self-sufficient people live from the earth.
The southern hemisphere benefits from
the removal of presidential peer pressure.
Maize grows high and potatoes run deep.
Rice spreads further than eyes can unfold.
A mother sits with her child on her lap,
They both laugh and grin
as another family member rakes in verdant blooms.
Daylight beams on fertile, leafy grounds,
vines and shoots slither through inane machinery.
An African village sleeps at night, quiet.
An infant lays down with an ox.
Planets and stars sweep the sky as a young man
gazes to the heavens and prays for his developing
Western nations.
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Discussion
Wonderful work!
The opening is spectacular.
A harsh, black burlap sack is draped across a shattered civilization - no light responds.
It is a very good objective correlative for the theme of your poem, and is pleasantly reminiscent of T.S Elliot's opening English lines of "The Love Song Of J. Alfred Prufrock": "Let us go, you and I,/ When the evening is spread out against the sky/ Like a patient etherized upon a table;".
New seedlings plant and thrive on asphalt,
This is weak and incoherent wording. "New seedlings" are not able to "plant". This is a distracting subject-verb confusion that detracts from the power the previous lines have been building.
The final window is smashed, the ultimate door, splintered.
I know that you intended "ultimate" to mean "final", but when I first read this I imagined that it was, in fact, an "Ultimate" door, like the door to Heaven, or something similar. I love the line both ways; it's marvelous.
oil rigs sit redundant as floating corpses
I enjoy the use of the word "redundant", but for some reason this line distracts and annoys me. I believe it is the word "as". Similes are powerful when they are pulled off well, but this is not an example of an effective use of simile.
The southern hemisphere benefits from the removal of presidential peer pressure.
Here you have pulled the reader out of the world that he has built around your poem and thrown him into the real world. This line feels like you are flaunting knowledge of current events. It is out of place.
They both laugh and grin
While technically it is not, "laugh and grin" feels like a redundant statement
Planets and stars sweep the sky as a young man gazes to the heavens and prays for his developing Western nations.
I commend you for not adding the word "across" to "planets and
stars sweep". Well done there; that is an overused personification.
This last line is powerful, but can be seen in two lights,
either:
The man is praying for his developing Western nations that will be
founded on the return to nature evident in the previous twelve
lines.
or:
The man is praying for his developing Western nations that will
include all of the machinery and corruption that the poem has
decried, because the world works in a circle.
Both endings are effective and work well. The pessimistic ending I
pointed out fits more firmly in my eyes, but the intention is yours
and your view stands.
All in all, of course, a wonderful piece of work. Very well
done.
Hi, I loved this piece! I write a lot of poetry at times but I find it hard to put those kinds of words in that type of format. I think I am too self-involved - you obviously aren't. That's great. But I don't think its about the end of things. There is a lot of renewal in this piece and in the second stanzas there is a lot of life, it just may be the end of things as we have been used to, but I often wonder if that isn't for the best. You made me think - thank you.
I am not sure what you mean by the "ultimate door".
The final window is smashed, the ultimate door, splintered
I don't know, wouldn't thieves "thrive" in lifeless, apocalyptic streets?
Thieves survive in the lifeless streets.
I wish you had explored this further:
oil rigs sit
redundant as floating corpses – no souls.
I wonder, would someone dream about his developing nations if there was so much obvious and elemental proof of the ultimate wreckage of developed nations?
as a young man
gazes to the heavens and prays for his developing
Western nations.
That being said, this is a wonderful poem. It has raw, demanding energy and speaks to the fear we each carry about our future and that of our children. Thank you for sharing it.
I enjoyed reading this
I was immediately drawn into the
setting of a destroyed, hopeless land. I can feel the despair
throughout the poem. In my perception though, toward the end
there is a more hopeful, optimistic feel that life and people will
persevere. I liked the imagery and how you described the
setting, but not necessarily tried to convince the reader towards
ill feelings, just the end result. And we are able to come up
with our own perceptions.



Tom: I did enjoy your poem Death of the West. Very in-depth descriptions of the downfall of our world and then the progress toward a future.
Lady Dragonwyck