I often get asked how and from where I draw my inspiration. How do I find my muse? And how do I keep it? What I’m really being asked is: how do I defeat “writer’s block”?
The Journeying Muse
Many writers complain of experiencing writer’s block at some point in their career—that affliction of not accessing one’s creativity, when the muses have all fled to Tahiti or someplace far away and you are left with a blank page or more importantly—and alarmingly—a blank mind. No desperate search, hot shower, long walk or discussion with a friend will seduce those holidaying muses back. You’re still stuck on page 49.
Here’s my solution: don’t sweat it. Embrace the emptiness and something wonderful will fill it. I said something; not necessarily what you expect. I believe that when your muse “leaves” you, it is on a journey. More to the point you are on a journey. You’re living. More often than not, our directed muse leaves us because something has gotten in the way. What you probably need to do is pay attention to that something. It’s telling you something. Ironically, by doing this, you open yourself to something wonderful. Okay, enough of somethings!…
Writing is a lot like fishing. In order to write you need something to write about. So, when the world gets in your way, you should pay attention. This is what you’re here for. A writer is an artist who reports on her society. A good artist, at least an accessible one, needs to be both participant as well as observer. So, take a break and live. Chances are, you will have much more to write about after you do.
Invoking the Muse & Defeating Writer’s Block
In the over twenty years of writing both fiction and non-fiction I really hadn’t given much thought to writer’s block until recently, when I was challenged on it. This is not to say that I never experienced it. I did; I just kept on writing.
“What?” you say. “Then, you didn’t really have writer’s block!” Well, I did; but only for that particular project, and only for one aspect of that particular project. The key is to have multiple projects and to recognize that each, in turn, has multiple tasks associated with it (e.g., editing, research, discussion, etc.).
For instance, besides Novel A, whose plot had me stumped in the middle, I was working on two short stories and a non-fiction article. I was also actively posting science articles, essays and opinion pieces on my blog. In addition, I was writing news articles for an online magazine and doing my regular stint at the environmental consulting firm where I wrote interpretive environmental reports. I kept on writing.
I let the plot of Novel A sit for a while as I continued to write. That didn’t mean I couldn’t work on Novel A in other capacities: copy-editing or polishing language, for instance. The point I want to make is that it’s helpful to have other things on the go mainly because this will let you relax about the project that has you stumped. And you need to relax for it to resolve. It’s a little like looking for the watch you misplaced; it will “find you” when you stop looking.
Letting the Muse Return (on its own terms)
Each of you has felt it: that otherworldly, euphoric wave of “knowing”, of resonating with something that is more than the visible world: when the hairs on the back of your neck tingle as you write that significant scene … or tremble with giddy energy as you create that perfect line on a painting …or glow with a deep abiding warmth when you defend a principal … or the surging frisson you share with fellow musicians on that exquisite set piece …These are all what I call God moments. And they don’t happen by chasing after them; they sneak up on us when we’re not looking. They come to us when we focus outward and embrace our wonder for this world. When we quiet our minds and nurture our souls with beauty.